The number references his childhood address on Murray Street in Quebec City, named after the second-in-command under General Wolfe. His autobiographical work, 887 premiered at the Fei & Milton Wong Experimental Theatre in 2016. Lepage returned to this theatre in 2012 with a production of Far Side of the Moon. The Blue Dragon, National Arts Centre (2009) The Blue Dragon was a cultural contribution to the winter Olympics in Vancouver in 2010 it opened Fei and Milton Wong Experimental Theatre, Simon Fraser University. ![]() Lepage and Michaud also acted in the play, with Tai Wei Foo as the protagonist's lover. It explores the dynamic paradox of modern China, rapidly reinventing itself, but still burdened by censorship and repression. The Blue Dragon/Le Dragon Bleu ( National Arts Centre 2009), written with Marie Michaud, and directed by Lepage, is a spinoff from The Dragon’s Trilogy, with the same central figure, an artist who re-surfaces in Shanghai twenty years later. It explores the possibilities and limitations of the human voice and communication. During its nine-hour duration, it follows nine characters across seventy years across the world, connecting the stories of disparate characters speaking in English, French, Spanish, and German. Lipsynch, developed over a period of several years, premiered at the Barbican Centre, London in September 2008. In 1998 he created a 3D version of La Tempête/The Tempest and began work on Zulu Time which opened to mixed reviews in Geneva, and positive ones in Paris. In 1997 Lepage devised a contemplative work on the works of Frank Lloyd Wright, entitled The Geometry of Miracles/La Géométrie des miracles, which toured internationally. Critic Ric Knowles explains that "what at first seems in Elsinore to be a radical de- and re-conceptualization of Hamlet's greatest hits may begin to seem like a meditation on the fragmentary, disjointed and decontextualized process of Hamlet writing 'us' into (our contemporary version of) existence" ( Canadian Theatre Review 17 (Summer 2002): 87-88). He juxtaposes familiar speeches, not necessarily in the right order, and relies on computer-controlled multi-media stage machinery to provide context. In Elsinore (1996), Lepage's postmodern solo transcription of Hamlet, he plays multiple roles from the internalized perspective of the unhappy Prince. Since then, the seven-part work has toured in French and English in England, the US and Europe. ![]() As subsequent version was performed at Carrefour International de Théâtre, Quebec in 1996, and won the award for best Quebec production at the Masques Awards. The first three-part version was produced in French at the Edinburgh International Festival in 1994. An ambitious saga in seven parts, it begins in the late 20th century, but the central image is the atomic blast at Hiroshima, the consequences of which are deconstructed through multiple stories and points of view. The Seven Streams of the River Ota was the first project developed with Lepage's company, Ex Machina, over a three-year period between 1993-96. Tectonic Plates (1988) envisions the collision of cultures and continents in terms of a large pool of water over which two grand pianos are suspended. Polygraph (with Marie Brassard) premiered in 1988 it is a metaphysical detective story, based on the murder of one of LePage's friends, and structured to suggest the many layers of truth and meaning inherent in human experience. ![]() Sometimes theatrical form itself is called into question. His works, like Vinci (which examines the life of Leonardo), Aiguilles et Opium (which scrutinizes Cocteau and Miles Davis), and his breakthrough success, La Trilogie des Dragons (1985-86) (a vast epic in English, French and Chinese which toured Canada and Europe) reveal a vivid imagination, a love of startling imagery, and an experimentation with new technology. His productions from the start were marked by his bilingualism, his explorations into multimedia, his homosexuality, and an ongoing study of the act of creation itself. His first work for the company, Circulations (1984) toured nation-wide. He studied at the Conservatoire d'art dramatique de Québec before joining the Théâtre Repère, soon becoming its lead actor and then director. He was raised in a bilingual household with two older adopted siblings who were anglophone. Photo by Frank Gunn, The Canadian Press.Īctor/director born in Quebec City, Quebec, December 12, 1957.
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