In light of this, a concept for the production of modern decorative arts was developed that led to the establishment of the Wiener Werkstätte, founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waerndorfer. ![]() In the spirit of the concept of “total work of art,” Gesamtkunstwerk, the representatives of Viennese Modernism looked to infuse art into all areas of human life and, at the same time, elevate the status of applied arts to equal of that of the visual arts. The Secession Building, designed by Olbrich in 1898 and considered a building-as-manifesto, housed the ideas of the new artists' association. Among the founding members of the Secession, in addition to Gustav Klimt, who was elected the association’s first president, were Koloman Moser, Carl Moll, and the architects Josef Hoffmann and Joseph Maria Olbrich. The “Union of Austrian Artists–Secession” wanted to create a platform for contemporary and international art through its departure from the conservative Künstlerhaus cooperative. The founding of the Vienna Secession in 1897 was considered the birth of Austrian modernism in the visual arts. The awakening took hold in a variety of disciplines, from painting and literature to music, theater, dance, and architecture to medicine, psychology, philosophy, law, and economics. This mixed milieu gave rise to such a unique concentration of cultural achievements that, today, we think of Vienna around 1900 as having been a wellspring of modernity. ![]() At the start of the twentieth century, the vibrant metropolis of Vienna on the Danube was characterized by contrasts: It was simultaneously the capital of the aristocracy and the liberal intellectuals, home of the magnificent Ringstrasse and endless slums, a place of anti-Semitism and Zionism, rigid conservatism and the onset of modernity.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |